Anonymous said: why do black people use you in the wrong context? such is "you ugly" instead of "you're ugly" I know u guys can differentiate, it's a nuisance
you a bitch
It’s called copula deletion, or zero copula. Many languages and dialects, including Ancient Greek and Russian, delete the copula (the verb to be) when the context is obvious.
So an utterance like “you a bitch” in AAVE is not an example of a misused you, but an example of a sentence that deletes the copular verb (are), which is a perfectly valid thing to do in that dialect, just as deleting an /r/ after a vowel is a perfectly valid thing to do in an upper-class British dialect.
What’s more, it’s been shown that copula deletion occurs in AAVE exactly in those contexts where copula contraction occurs in so-called “Standard American English.” That is, the basic sentence “You are great” can become “You’re great” in SAE and “You great” in AAVE, but “I know who you are” cannot become “I know who you’re” in SAE, and according to reports, neither can you get “I know who you” in AAVE.
In other words, AAVE is a set of grammatical rules just as complex and systematic as SAE, and the widespread belief that it is not is nothing more than yet another manifestation of deeply internalized racism.
Video: Native Fantasy: Germany’s Indian Heroes -
Germany’s biggest folk hero is an Apache who fights for justice three hours north of Berlin and has inspired spiritual seekers. But some parts of Native American culture get lost in translation.
ugh ugh ugh ugh ugh
I did it. Now YOUR turn
The City of Vancouver has told us there is an opportunity to include space/funding for an all-ages music venue in this year’s Capital Plan. The Capital Plan is a basically a budget for the next four years of City operations. It goes on the ballot of every municipal election in the form of a…
If someone were to die at the age of 63 after a lifelong battle with MS or Sickle Cell, we’d all say they were a “fighter” or an “inspiration.” But when someone dies after a lifelong battle with severe mental illness and drug addiction, we say it was a tragedy and tell everyone “don’t be like him, please seek help.” That’s bullshit. Robin Williams sought help his entire life. He saw a psychiatrist. He quit drinking. He went to rehab. He did this for decades. That’s HOW he made it to 63. For some people, 63 is a fucking miracle. I know several people who didn’t make it past 23 and I’d do anything to have 40 more years with them. — anonymous reader on The Dish (via luciwithani)
(Source: mysweetetc, via keepingtrackofnothing)
Homage to Patrick M. is a print by Lyle Wilson, formerly an education student at UBC. Wilson, a member of the Haisla-Kwakiutl language group, came to UBC from Kitamaat under the auspices of The Native Indian Teacher Education Program.
The print is titled in honour of Patrick McGuire, a promising Haida artist who died in 1970 of a heroin overdose.
Wilson’s work is unusual in that most of it is a conscious reflection of the collision of white and Indian culture.
No weight goal will fix having self hate. That’s not where the solution is
(Source: mentalhealthresource, via sanity-soap)
(Source: advice-animal, via crunkinpublic)
Unused outdoor pool Jules Andre-Brown on Flickr.
Quiet Please by Jules Andre-Brown on Flickr.
(Source: apanelofanalysts, via goneawaygoneaway)
A Young Child Named Maya Rudolph
In 1975 I had just come off a brief tour I was on with a band that was opening for Joe Walsh, when Irving Azoff’s company, Frontline Management, which managed Walsh suggested I’d be a good fit to tour with Minnie Riperton.
They were right; when I met Minnie I felt I’d met a long lost older sibling, and would continue working for her after she left Azoff’s management, and throughout the remaining years of her career.
Besides a voice seemingly from heaven, she had the most delightful family as well. Her two children Marc, and Maya were a joy, and her husband, Richard Rudolph, who still to this day, is one of nicest people you could ever meet.
I was just in my early 20’s, toting around a Hasselblad camera wherever I went. When I was working as Minnie’s tour manager, I rarely had the time, or situation to formally photograph her. Although I always had my camera, I was still a very young photographer, and had not yet developed the skills to capture what it was I saw in her, so my collection of photographs of her is limited.
However, during our off time off from touring, I was often at their home around her family and photographed Maya frequently. Most children get very antsy in front of a camera, but she seemed to be fascinated with the photographic process. She held a firm gaze and always seemed to be studying this photographic process very closely, so I’m not at all surprised that she’s become one the finest comedic actors working in front of a camera today.
I’m also not surprised that Maya found her way into comedy. What few people may know about her mother is that Minnie was one of the most hilarious women you’d ever meet. She had a wry, even ribald wit that would totally disarm the coolest of characters, the biggest record producers, and the most pompous industry executives of the day.
Maya was five or six years old in this photograph. It was taken at their home in Westwood, CA near the UCLA campus. Maya in her swim suit, sitting in front of the TV with a vintage cable TV box, near a baseball bat & glove, while Minnie in one of her flowing dresses steps out of frame right, and “Sparkle” their devoted Standard Poodle slips by behind her.
This photograph captures so much of the special warmth, and familial connection I experienced at their home during those days. They were a very special family, whom I will always appreciate how generously they brought me into their lives.